Wednesday, January 7, 2009

Essay due 1.14.09

Choose from the following list of AP prompts and write a 3 - 5 page (at least 1,000 words) essay on your independent reading book.

Format Guidelines are
below in previous post.

Rubric:
MHS Long Composition...worth 200 points in Major Projects and Papers.

  • 2002, Form B. Often in literature, a character’s success in achieving goals depends on keeping a secret and divulging it only at the right moment, if at all. Choose a novel or play of literary merit that requires a character to keep a secret. In a well-organized essay, briefly explain the necessity for secrecy and how the character’s choice to reveal or keep the secret affects the plot and contributes to the meaning of the work as a whole. You may select a work from the list below, or you may choose another work of recognized literary merit suitable to the topic. Do NOT write about a short story, poem, or film.
  • 2003. According to critic Northrop Frye, "Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning." Select a novel or play in which a tragic figure functions as an instrument of the suffering of others. Then write an essay in which you explain how the suffering brought upon others by that figure contributes to the tragic vision of the work as a whole.
  • 2003, Form B. Novels and plays often depict characters caught between colliding cultures -- national, regional, ethnic, religious, institutional. Such collisions can call a character's sense of identity into question. Select a novel or play in which a character responds to such a cultural collision. Then write a well-organized essay in which you describe the character's response and explain its relevance to the work as a whole.
  • 2004. Critic Roland Barthes has said, "Literature is the question minus the answer." Choose a novel, or play, and, considering Barthes' observation, write an essay in which you analyze a central question the work raises and the extent to which it offers answers. Explain how the author's treatment of this question affects your understanding of the work as a whole. Avoid mere plot summary.
  • 2004, Form B. The most important themes in literature are sometimes developed in scenes in which a death or deaths take place. Choose a novel or play and write a well-organized essay in which you show how a specific death scene helps to illuminate the meaning of the work as a whole. Avoid mere plot summary.
  • 2005. In Kate Chopin's The Awakening (1899), protagonist Edna Pontellier is said to possess "That outward existence which conforms, the inward life that questions." In a novel or play that you have studied, identify a character who outwardly conforms while questioning inwardly. Then write an essay in which you analyze how this tension between outward conformity and inward questioning contributes to the meaning of the work. Avoid mere plot summary.
  • 2005, Form B. One of the strongest human drives seems to be a desire for power. Write an essay in which you discuss how a character in a novel or a drama struggles to free himself or herself from the power of others or seeks to gain power over others. Be sure to demonstrate in your essay how the author uses this power struggle to enhance the meaning of the work.
  • 2006. Many writers use a country setting to establish values within a work of literature. For example, the country may be a place of virtue and peace or one of primitivism and ignorance. Choose a novel or play in which such a setting plays a significant role. Then write an essay in which you analyze how the country setting functions in the work as a whole.
  • 2006, Form B. In many works of literature, a physical journey – the literal movement from one place to another – plays a central role. Choose a novel, play, or epic poem in which a physical journey is an important element and discuss how the journey adds to the meaning of the work as a whole. Avoid mere plot summary.
  • 2007. In many works of literature, past events can affect, positively or negatively, the present activities, attitudes, or values of a character. Choose a novel or play in which a character must contend with some aspect of the past, either personal or societal. Then write an essay in which you show how the character's relationship to the past contributes to the meaning of the work as a whole.

Format requirements:

Type the following in the upper left (not in the header) of the first page and single space:
Your Name
My Name (Please spell it correctly.)
English 12 CP, Period _
Due Date

Page Setup:
  • 1 inch margins
  • Insert page numbers, top right. Click box to not show number on first page. Add your last name to header with page number and align right.
  • Center title in bold on first page.
Format:
  • Times New Roman, 12 pt. font, align left, double-spaced.
  • Staple rough drafts to back.
  • Staple Scoring Guide to front. No scoring guide = no comments.
I will not accept papers until / unless all the above requirements are met.

Tuesday, November 18, 2008

STYLE ASSIGNMENT: HEMMINGWAY VS. FAULKNER.



All assignments should be two pages typed, 1.5 spaced. You can go longer if you need, but I’m more concerned about style than you “finishing” some sort of plot—though feel free to.

Make sure you have a title.

100 points total.

Three Options:
  1. Choose a short story and “rewrite” it in the style of either Faulkner or Hemingway—if the story is “too long”, you can even just rewrite a part of it.
  2. Write a story in the style of either Faulkner or Hemingway based on a myth
  3. Write a dialogue / or even a short story using only lines from both Faulkner and Hemingway. (Each line will need to be cited.) You will obviously be able to capture the “writing style” with this one, so you will be mostly graded on your ability to present a coherent conversation.

Runbic, Part A:

  • 50 points: Completely matches the style of either Hemingway or Faulkner: syntax of sentences, diction, pacing, and conventions.
    Is free of unintentional spelling, typographical, and grammatical errors—this should be “publishable.”
    Completely achieves objective of prompt.
  • 45 points: Matches the style of either Hemingway or Faulkner: syntax of sentences, diction, pacing, and conventions.
    Is free of unintentional spelling, typographical, and grammatical errors—this should be “publishable.
    Achieves objective of prompt.
  • 40 points: Completely achieves 2 of the 3 items above.
  • 35 points: Mostly achieves 2 of the 3 items above.
  • 30 points: Is successful with one of the items above.

Rubric, Part B:

50 points. All papers are to be accompanied by a meta-cognitive piece (see handout), stapled to the back. This is also worth 50 points and should provide enough depth for me to see your understanding (again, refer to questions on handout.) You will be graded on the specificity of your comments on both the decisions you made as a writer for the assignment, as well as the process of composing this piece.

Bring two copies in on Friday for Peer critique (a seperate homework grade.) Final Draft due in-class on Monday, November 24th.

Print this rubric and staple to back of assignment if you want comments.

Tuesday, November 4, 2008

Wednesday, October 29, 2008

End of First Quarter Reminders

Can you believe the year is one-fourth of the way to the end?

College Essay rewrites and Memoir Projects are due in class tomorrow. (Thursday, Oct. 31st.)

Format requirements:

Type the following in the upper left (not in the header) and single space:
  • Your Name
  • My Name (Please spell it correctly.)
  • English 12 CP, Period _
  • Due Date

Page Setup:

  • 1 inch margins
  • Insert page numbers, top right. Click box to not show number on first page. Add last name to header with page number and align right.

Format:

  • Times New Roman, 12 pt. font, align left, double-spaced.

Staple rough drafts to back of College Essay.

I will not accept papers until / unless all the above requirements are met.

I will give you time in class to "finish" your final three D.J.s.