Thursday, October 4, 2007

Red Shift Model Paper Example 2

Though this is a model paper--I'll add some of my comments in red to let you know what could've been added to this essay...

Miranda P.2

In the poem "Red Shift", Ted Berrigan suggests that life means nothing and that if it has any meaning, it is a stupid life filled with loneliness. He also suggests that love is never permanent. The first part of the thesis is solid, but Miranda is missing HOW the meaning is created by the author in the poem (this is the hardest and most important part of explication that we are all working on this year.)

The title "Red Shift" says a lot about the idea of love never being permanent. The color red symbolizes love, anger, and passion. Shift simply means change. Also, "Red Shift" is also relating to astronomy. In astronomy, red shift is when a star's light because intense and the star appears to be red. The idea of intensity of the poem grows as it progresses. At first it is calm and reminiscent, "I drink some American poison liquid air which bubbles and smoke to have character and to lean In. The streets look for Allen, Frank, or me... The Calvados is being sipped on Long Island now twenty years almost ago... (4-11)". The lines are pretty short and smooth which makes the reader sense the calmness as the speaker talks about the past. Then, it becomes more intense as the speaker goes on to say, "Love, children, hundreds of them, money, marriage, ethics, a politics of grace, Up in the air, swirling, burning even or still, now more than ever? (15-18)" The lines are becoming longer and there are more pauses which makes the reader sense that the tone changes to slight frustration. By the end of the poem the speaker is completely angry and it is noticeable because the intensity is at its greatest point. The intensity in this section is seen through the words that are used. "Red Shift" symbolizes the change of intensity and also a change in love. A pretty solid paragraph here, using the title to some emotional change in the speaker. Miranda's language, however, could be much more specific. I'm not talking here about using "fancier" words, but more specific language. Instead of phrases like "says a lot about the idea" replace with what it actually says, and there are words that mean "completely angry" and "slight frustration" etc...

The speaker starts by saying "Here I am... The air is biting, February... a winter streetscape... (1-3)" In this section you get an idea of the setting. This poem takes place in a city in February. Having it set in February gives the reader an idea of how cold it is (How cold is it?) and lets him/her (pick a gender and stick with it) know that it's in the middle of winter. When a person thinks of winter he might think of how cold it is and also how lonely, dead, and desolate everything seems to be. This relates to the idea that life is filled with nothing but loneliness because of the fact that as was mentioned before, winter can be used to symbolize loneliness. Fine on topic for this last sentence--but show me HOW evidence works to establish these points. Missing a topic for the paragraph here.

As the speaker goes to say, "Not that painter who from very first meeting I would never & never will leave alone until we both vanish into the thin air we signed up for & so demanded To breathe & who will never leave me, not for sex, nor politics nor even for stupid permanent estrangement which is Only our human lot & means nothing. (24-29)" This section makes the reader think about how love is thought to be everlasting and how nothing is supposed to get in the way of it. But, when reading this section the reader gets the feeling that the speaker, even though he/she thinks of love the same way, is saying that love is stupid and won't last because humans are meant to end up alone with everything he or she thinks may mean something actually means nothing.

Solid ending to paper (but banish the word get). Thanks to Miranda for sharing her paper--it was one of the best from the classes and she should be commended for sharing her work and being open to constructive criticism.

Feel free to post any constructive comments here, or questions, or observations. Trenchant insights are always welcome but please (always) avoid pithy observations.

Red Shift Model Paper Example 1

Though this is a model paper--I'll add some of my comments in red to let you know what could've been added to this essay...
Judith P.1

In the poem “Red Shift” the poet Ted Berrigan examines the different stages that one goes through before death by giving his poem the title “Red Shift”, which indicates the negative changes in ones life. He uses the setting of the poem to associate his mood and emotions on how he is feeling about life. Some of the stages that the speaker touches upon are the failure of obtaining the American dream and struggling with low self-esteem. Solid intro.

Throughout the poem, the speaker uses the setting to express his thoughts and feelings about life. The poem is written in a sad, depressing, and angry tone. The setting is symbolic to the different stages that one goes through in their lives before death. The poem takes place in a bitter cold winter February in New York City. “The air is biting, February, fierce arabesques on the way to tree in winter streetscape I drink some American poison liquid air which bubbles and smoke to have character and to lean in”(2-6). The speaker is walking down the cold winter street in New York City. Ted Berrigan uses an incredible example of personification by giving the air human like quality which helps the reader to recognize how cold it is. Ah, what makes it "incredible" and why is personification an important technique here?--it is not just that it helps the reader recognize....

One of the stages that the speaker goes through is the failure of not obtaining the American dream. He reminisces about his childhood and envies his parents because they lived the American dream. He is truly depressed about not achieving the American dream. “The Calvados is being sipped on Long island now twenty years almost ago, and the man smoking is looking at the smilingly attentive woman, & telling. Who would of thought that I’d be here, nothing wrapped up, nothing buried, everything love, children, hundreds of them, money, marriage-ethics, a politics of grace, up in the air, swirling, burning even still, now more than ever before? ” (10-18). The speaker is thinking about his childhood life. His father, who he refers to as the man, is drinking Calvados, which is a type of alcohol beverage in Long island in New York City. His father is living the American dream; watching his beautiful wife; who the speaker refers to as the smilingly attentive woman. His father has money, love, a wife, and children, etc. The speaker is asking himself how did his life take this big red shift? This is a big realization that his life as taken a big negative shift. He never thought that he would fail to follow in his father’s footsteps, which is to obtain the American dream. The speaker at this point, feels as if he has nothing to look forward to and is hurting by this harsh awareness. He is sad, hurt, and awfully disillusioned of his reality. The main point of this paragraph is solid but if Judith had integrated the evidence more fluidly (rather than just quoting long lines), she could've deleloped how the langauge was creating this effect--what techniques does the author use to help make us see the speaker in this light?

Another issue that is upsetting to the speaker is not dying soon enough. His life is ruined and feels he is not worthy of living. “Nor even for stupid permanent estrangement which is only our human lots & means nothing. No, not him. There’s a song, “California Dreaming”, but no, I won’t do that I am 45. When will I die? I will never die, I will live to be 110, & I will never go away, & you never escape from me who am always & only a ghost” (28-33). The speaker is talking about how life is stupid and it is human nature, human fate to die along. The song “California Dreaming” is about the optimistic feeling that the summer brings, but the speaker is not thinking about the future. The song symbolizes how the speaker did not achieve his American dream. He is thinking there’s no future for him and nothing to look forward to. He is 45 years old and he wants to know when he will die. He feels so depressed that he thinks that he is worthy of dying. There are a lot of different ideas going on in this paragraph, and none were developed enough--A liitle more focus in this paragraph on developing ideas...(maybe return to thesis and remind oneself of what the point (thesis) of the paper here to help focus.)

The speaker has a dreadfully pessimistic attitude towards life and wants to die. He is 43 years old and not even close to dying. He wants to die and he will probably die alone. He is ashamed of how his life turned out to be. He does not take any incentive to change the negative out come of his life. He just nags about it and does nothing to help himself.

The speaker has an exceedingly low self-esteem and has lost all hope and faith. He thinks incredibly negative and low about himself and feels as if he is not worthy of his name and as a result of his unenthusiastic thinking he does not see himself as a person anymore. “I’m only pronouns, & I am all of them” (35). He does not think of himself highly and think he is only pronouns, all of them. He thinks he is a she, him, her, I, you, etc; and not a real person. He is frustrated, hopeless, lost, and a lonely human being.

The title “Red Shift” symbolizes the unusual changes the speaker went through in his life. He is alone but crowed at the same time. He just gives up in life and flows with the crowed. “Alone & crowed, unhappy fate, nevertheless I slip softly into the air the world’s furious song flows through my costume” (40-42). He has given up on life because he is 43 years old and his successes in life are limited because of his age. He is unbelievably depressed and he just flows in the crowed and let the air go through his body.

Thanks to Judith for sharing her paper--it was one of the best from the classes and she should be commended for sharing her work and being open to constructive criticism.

Feel free to post any constructive comments here, or questions, or observations. Trenchant insights are always welcome but please (always) avoid pithy observations.

Tuesday, October 2, 2007

Bruegel Blog Post Period 2

Bruegel, Pieter Landscape with the Fall of Icarus c. 1558 Oil on canvas
Right click image (or any other hyper link) to open in another window.

OPTIC. I find Walter Pauk’s theory quite useful when writing about an image.[1] The AP Art History Course also uses this Acronym as a successful approach to writing about visual art. I have adapted it here with further commentary and explanation in light of your specific goals.

Post your writing in the comment box with the following five categories. You will receive full credit (20 points) for one thousand words. (15 points) for 750 words. (10 points) for 500 words. (5 points) for 250 words. You are eventually going to have to write a longer paper and you will thank your future self for the writing you did here because you will be able to pull from it later.

  1. Overview: Conduct an Overview of the visual or graphic. I recommend an extensive brainstorming process here.
  2. Parts: Key in on the Parts of the visual by noting any elements or details that seem important. The old cliché goes “a picture is worth a thousand words”, which translates to about three pages. I think this is a good rule of thumb, but by no means a fixed rule. Describe what you see. Where do your eyes go to first? Then what? Follow the natural progress of where your eyes go. Give as much detail as possible.
  3. Title: Explain the Title (if one is present) and its relation to the piece of art. Even an “untitled piece” may tell you about the artist’s aesthetic.
  4. Interrelationships: Use the title, or your theory, and the parts of the visual as your clues to detect and specify the Interrelationships in the graphic. In other words, this is where you develop your thesis about the image and connect ideas.
  5. Conclusion: Draw a Conclusion about the piece as a whole.
[1] Pauk, Walter. How to Study in College. Boston: Houghton Mifflin, 1997, 271.

Period 2 post here. Period 2 post here. Period 2 post here.
Due on Tuesday October 9th.

Bruegel Blog Post Period 1

Bruegel, Pieter Landscape with the Fall of Icarus c. 1558 Oil on canvas
Right click image (or any other hyper link) to open in another window.

OPTIC. I find Walter Pauk’s theory quite useful when writing about an image.[1] The AP Art History Course also uses this Acronym as a successful approach to writing about visual art. I have adapted it here with further commentary and explanation in light of your specific goals.

Post your writing in the comment box with the following five categories. You will receive full credit (20 points) for one thousand words. (15 points) for 750 words. (10 points) for 500 words. (5 points) for 250 words. You are eventually going to have to write a longer paper and you will thank your future self for the writing you did here because you will be able to pull from it later.

  1. Overview: Conduct an Overview of the visual or graphic. I recommend an extensive brainstorming process here.
  2. Parts: Key in on the Parts of the visual by noting any elements or details that seem important. The old cliché goes “a picture is worth a thousand words”, which translates to about three pages. I think this is a good rule of thumb, but by no means a fixed rule. Describe what you see. Where do your eyes go to first? Then what? Follow the natural progress of where your eyes go. Give as much detail as possible.
  3. Title: Explain the Title (if one is present) and its relation to the piece of art. Even an “untitled piece” may tell you about the artist’s aesthetic.
  4. Interrelationships: Use the title, or your theory, and the parts of the visual as your clues to detect and specify the Interrelationships in the graphic. In other words, this is where you develop your thesis about the image and connect ideas.
  5. Conclusion: Draw a Conclusion about the piece as a whole.
[1] Pauk, Walter. How to Study in College. Boston: Houghton Mifflin, 1997, 271.

Period 1 post here. Period 1 post here. Period 1 post here. Due on Tuesday October 9th.

Bruegel Blog Post Period 7


Bruegel, Pieter Landscape with the Fall of Icarus c. 1558 Oil on canvas
Right click image (or any other hyper link) to open in another window.

OPTIC. I find Walter Pauk’s theory quite useful when writing about an image.[1] The AP Art History Course also uses this Acronym as a successful approach to writing about visual art. I have adapted it here with further commentary and explanation in light of your specific goals.

Post your writing in the comment box with the following five categories. You will receive full credit (20 points) for one thousand words. (15 points) for 750 words. (10 points) for 500 words. (5 points) for 250 words. You are eventually going to have to write a longer paper and you will thank your future self for the writing you did here because you will be able to pull from it later.

  1. Overview: Conduct an Overview of the visual or graphic. I recommend an extensive brainstorming process here.
  2. Parts: Key in on the Parts of the visual by noting any elements or details that seem important. The old cliché goes “a picture is worth a thousand words”, which translates to about three pages. I think this is a good rule of thumb, but by no means a fixed rule. Describe what you see. Where do your eyes go to first? Then what? Follow the natural progress of where your eyes go. Give as much detail as possible.
  3. Title: Explain the Title (if one is present) and its relation to the piece of art. Even an “untitled piece” may tell you about the artist’s aesthetic.
  4. Interrelationships: Use the title, or your theory, and the parts of the visual as your clues to detect and specify the Interrelationships in the graphic. In other words, this is where you develop your thesis about the image and connect ideas.
  5. Conclusion: Draw a Conclusion about the piece as a whole.
[1] Pauk, Walter. How to Study in College. Boston: Houghton Mifflin, 1997, 271.

Period 7 post here. Period 7 post here. Period 7 post here. Due on Tuesday October 9th.